Indeed, Amy Anne’s narrative is positively laced with real titles that have been banned or challenged and further enticing teasers for them.Ĭontrived at some points, polemic at others, but a stout defense of the right to read.Īt a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. Characters frequently serve as mouthpieces for either side, sometimes deadly serious and other times tongue-in-cheek (“I don’t know about you guys, but ever since I read Wait Till Helen Comes, I’ve been thinking about worshipping Satan”). Spencer, a despised classmate’s mom, to a qualified defense of intellectual freedom at a school board meeting: “Nobody has the right to tell you what books you can and can’t read except your parents.” Meanwhile, as more books vanish, Amy Anne sets up a secret lending library of banned titles in her locker-a ploy that eventually gets her briefly suspended by the same unsympathetic principal who fires the school’s doctorate-holding white librarian for defiantly inviting Dav Pilkey in for an author visit. Frankweiler has been removed from the library at the behest of Mrs. In a tale that is dominated but not overwhelmed by its agenda, Gratz takes Amy Anne, a young black bibliophile, from the devastating discovery that her beloved From the Mixed-up Files of Mrs. A shy fourth-grader leads the revolt when censors decimate her North Carolina school’s library.
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